In music, imitation is the repetition of a melody in a polyphonic texture shortly after its first appearance in a different voice. The melody may vary through transposition, inversion, or otherwise, but retain its original character.
A work that is comprised of a strictly imitative musical texture is called a: Select one: a. canon. b. verse. c. refrain. canon. Musical texture can best be compared to: Select one: a. the cross weave of a piece of fabric. b. paint on a wall. c. a brick wall. a. the cross weave of a piece of fabric. One person singing Happy Birthday with simple chords accompanying the melody produces aNo.
Counterpoint, art of combining different melodic lines in a musical composition. It is among the characteristic elements of Western musical practice.Texture in Music. STUDY. Flashcards. Learn. Write. Spell. Test. PLAY. Match. Gravity. Created by. cgreco. Terms in this set (18) texture. the result of the number and character of musical lines in a piece. 3 types of texture. 1. monophonic 2. polyphonic 3. homophonic. 2 types of polyphonic. imitative and non-imitative. monophony. consists only of a single melody without any type of.Nic Giordano Comp 1 Definition Essay Music Music; Indefinable by words alone. It is not only something you can hear but what you can feel. It is something your soul is able to reach out and touch. Music also has the power to bring us as humans, together. It is one language spoken by all cultures, sexes, races, age and religions. Music also controls our emotions; it makes us happy, sad, angry.
The elements of music to consider Melody Due to the length and amount of instruments included in the oratorio means that there are both vocal and instrumental melodic devices.
Imitative definition is - marked by imitation. How to use imitative in a sentence.
Definition of Imitative counterpoint. In music, counterpoint is the relationship between voices that are interdependent harmonically (polyphony) yet independent in rhythm and contour. It has been most commonly identified in classical music, strongly developing during the Renaissance and in much of the common practice period, especially in Baroque music.
Imitative polyphony refers to the use of echoed entrances, similar to a round. This might be like when you wear a particular shirt, and then the next day, your friend is wearing the same shirt, but.
Antiphonal texture An antiphonal texture is when there is more than one group of instruments or voices, usually placed in different parts of a church or concert venue. There is usually dialogue.
MusCan is a bi-lingual scholarly society dedicated to the promotion of music in Canadian post-secondary institutions through a variety of activities: we sponsor an annual three-day conference in late May, publish a scholarly journal (Intersections: A Canadian Journal of Music) and provide support for music programs across the country through the Standing Committee of Institutional Members.
Imitative texture: Imitation is a special type of polyphonic texture produced whenever a musical idea is ECHOED from one performer to another. 1 2 3 Antiphonal texture: Antiphonal texture is created when two or more groups of performers alternate back and forth, and then play together. In Rock-and-roll, this texture is heard particularly in various types of Soul, Funk and Rap music. GROUP 1.
The areas of study provide an appropriate focus for students to appraise, develop and demonstrate an in-depth knowledge and understanding of musical elements, musical contexts and musical language. The areas of study can also provide a rich source of material for your students to work with when developing performance and composition skills.
Homophonic texture is more characteristic of the music of the classical and romantic eras, but in the 20th cent. there was renewed interest in polyphonic aspects of musical texture and structure. See counterpoint counterpoint, in music, the art of combining melodies each of which is independent though forming part of a homogeneous texture. The.
The musical textures of this composition are replete with Renaissance techniques, including word painting, modality, intricate counterpoint, and bold harmonies unified by what Lauridsen terms the “fire chord,” a minor triad with an added major seventh.
Imitative textures. If music is not written in block chords or in some kind of Melody plus accompaniment texture then, chances are, there will be some form of imitation going on. Imitation is when one part copies another. In a 2-part texture it might be that the second part to start always stays behind the first part. Equally, the parts might imitate each other in turn as they do in Bach's.